Jawjacking with Gods, or why I love Grant Morrison.

For those of you who don't know, Grant Morrison is a comic book writer. Most recently, he's worked on the relaunch of Superman in the new Action Comics #1 and has been writing Batman for the last 4-5 years. His big projects include JLA, New X-Men, Final Crisis, Doom Patrol, Animal Man, as well as his amazing creator-owned work We3, The Invisibles, and The Filth.

All of which probably mean absolutely nothing to you if you don't read comic books.

But what's fascinating about Grant (@grantmorrison) is that he treats his role as a comic writer in much the same way that someone like David Bowie treats his role as a musician. Grant wants to find the magic in comics and bring that world to life here in the real world.

As he says in the documentary below, "the bomb before it was the bomb was an idea. But Superman is a better idea, so why don't we try to make that one real."

I felt like I never experienced both the humanity and the wonder of The Justice League or The X-Men or Batman until they were written by Grant. And only grant could make an idea as insane as We3 (logline: household pets are kidnapped and turned into cyborgs by corrupt military scientists before going on a killing spry to find their way home to their owners) into something so equally beautiful, horrific, tragic, and triumphant, all at the same time.

When I write, I want to be more like Grant Morrison.

I highly recommend watching this entire documentary. It's so worth it.

Evolutionary Path
This is a rather surprising article from The New Republic about the social implications to be found in comparing the movie X2 to the current versions of the X-Men comic books (New X-Men by Grant Morrison & Ultimate X-Men by Mark Millar, among my own personal favorites). In it, the author notes that "X-Men" has always been an allegory for the relationship of minority communities with the majority culture, where Xavier represents integration and Magneto represents violent separatism. But the author laments that, unlike the film, the current comics paint Magneto's POV in a much more fashionable light.

Point taken, but I think the comic writers are less interested in espousing a militant agenda and much more concerned with injecting some emotional realism to these stories. Yes, Xavier is a proponent of integration, but, after literally thousands of stories where various regular humans have tried to commit mutant genocide, some of which include several glimpses into possible future timelines where mutants are enslaved by the majority population, I think any sane man would begin to doubt the viability of peace. The problem, ultimately, with Magneto's view is that it's much easier to maintain in the face of adversity than the view of peace. Just look at the Middle East.