A friend brought to my attention yet another news article about how there's no hope for Black women to find a decent Black man to marry, so they're forced to start marrying white men.
Personally, I've had enough of this crap.
Now, before I proceed, let me first state a few things for the record: I have absolutely no problem with interracial dating, except when a Black woman that I personally desire for myself chooses instead to date a white man. :-)
Frankly, I'd have a problem if she choose to date a brother, too, but because she picked a guy with whom I have less in common with (at least, physically), it just really drives home the point that I don't suit her tastes. Beyond that, I say, you love who you love. Just be true to yourself.
But when I hear sisters complain about brothers who are cocky and who think they're all that because they know the numbers are in their favor, so they just throw up their hands and say "forget it", to me, that says that they don't really want a successful Black man because they're unwilling to raise their game to get him. Now, does that mean compromise your principles (i.e. he'll only talk to you if you blow him first)? Of course not - that would make him a bad Black man instead of a good one. And any man who makes you feel less than you are isn't worth your tears if he picks a white girl. However, if you're willing to acknowledge that, from your POV, it's a seller's market, you need to bring your A-game, which is more than just education and credentials, but personality, spirit, physical & emotional beauty. And I'm not talking about hitting the pilates classes or getting breast implants or wearing a super-slinky outfit. I hear all this talk about looking for a husband, but are you actually ready to receive one? Are you ready to open your heart and share your life with someone else, or are you just checking something off of a "things to do before I'm 40" list? Are you actually ready to love? Give love AND receive love?
Which brings me to the larger point - all of these articles talk about how many interracial marriages there are and how many unmarried sisters there are and how low our marriage rates are - but, as far as I can tell, the majority of Black people who get married are still marrying Black people. So, despite "The Ratio", Black men & black women are still finding each other and getting married. I've been invited to a ton of Black weddings over the last 10-15 years, and not a single one of them involved an interracial couple. NOT ONE.
It's all about perspective and state of mind. I vividly recall a moment in college when a beautiful dark-skinned sister was complaining about how she'd been at a party and was ready to cry because all the brothers where dancing with light-skinned sisters..... the very same party where I had been dancing with her that night!!!
My point is, if you have an idea in your head, you'll always find evidence to support it. It's like that movie "The Number 23" - once you start to think that the number is everywhere, you start seeing it everywhere. But you only see it because you focus on it.
Everyone wants to focus on the successful Black men married to white women, but I can name just as many successful brothers married to sisters.
Magic Johnson, Michael Jordan, Bill Cosby, Eddie Murphy (past & future), Chris Rock, Boris Kodjoe, Vondie Curtis-Hall, Courtney Vance, Reggie Rock-Blythewood, Barack Obama, Denzel Washington, Will Smith, etc., etc.
Have I made my point?
So, I would suggest that, all of these people who are complaining about this subject, take a look in the mirror. There are Black people who can't find other Black people to marry, and there are Black people who can. It's a very simple equation - DECIDE which one you want to be, and then BE it. Period.
And, honestly, is marriage even the point?
I had a real epiphany at this time last summer, as I was ending a very beautiful, fairly long-term relationship that, at one point, was very much moving towards marriage. But it was a forced movement - we wanted to get married because we basically wanted to freeze time and capture this moment forever. We were terrified of letting so much love end.
But, the reality is, things born out of fear only create more fear.
All things end. Even love. But just because it's finite, doesn't make it any less valid. And just because something ends doesn't mean it's been destroyed. Our romance may have been finished, but the connection of two souls - true friends for life - will live for an eternity. We just needed the courage to let go and let it be.
And that's when I realized that I had drunk the Kool-Aid and was fitting damn near every women I'd ever dated for a wedding dress in my mind. I suppose it starts with being a child produced from a 40+ year marriage. Props to Mom & Dad, but there's no trophy waiting for anybody in Heaven just because you got and stayed married until one or both of you died.
Joy is the point. Happiness is the point. Love is the point.
We're so fixated on the norms and forms that these things take that we lose sight of WHY these institutions were created in the first place.
I know a couple who've been married over 20 years - produced two beautiful childen, live in a lovely house - a portrait of happy Black buppie affluence.
And, as far as I can tell, they've never had a single moment of true, shared bliss between them from the second they said "I do".
I wouldn't wish a marriage like that on my worst enemy.
Everything has a life of it's own - when you put two people together, the relationship that gets formed is a separate entity, with it's own energy & personality & life expectancy. Case in point - most people will say that I'm generally a fun, jovial, generous, caring soul. But there is one ex-girlfriend of mine where we really just brought out the most malicious, vindictive, and evil aspects of each other's personalities. Away from each other, we're totally different.
Needless to say, we don't talk anymore. :-)
Personally, I'm no longer focused on marriage. I'm interested in having relationships that are aligned to my intentions (love, joy, fun, growth) and living them to their fullest potential. If that full potential is a marriage and 6 kids, great. If that full potential is one really good a cup of coffee, beautiful.
Sisters - I hear you, and I know your pain. But be honest with yourself about what you really want and why you want it. And take stock for a moment - does that which you desire truly nourish your soul? Because, if it doesn't, find the courage to let it go.
You'll need your hands free to pick up the manna that's been waiting for you.
Showing posts with label love. Show all posts
Showing posts with label love. Show all posts
August 09, 2007
June 13, 2007
"the space in between...."
Like with so many things that are artistic in nature, a single moment can carry my mind in a million directions, but they're all fruit from the same tree.
This is a record of such a moment in my mind. It probably won't flow. The thoughts come as they please. But, in the end, they're all connected.
So, a few weeks ago, I was at a club here in L.A., and I met someone.
She was a vision.
We didn't talk much at all.
Which is unfortunate, because, if we had, I would have asked her, "did you feel that?"
Because when I wrapped my arms around her on the dance floor, and she put her hands on my side, a spark jumped.
Not one of those static electricity "I just dragged my feet across a wool rug and shocked the shit out of my fingers on a metal doorknob" sparks.
It's one of those kind of sparks like when, back in college, I ran into an ex-girlfriend in a computer lab, and I just put my hand on her shoulder.... and every inch of skin on my body remembered an entire relationship in an instant.
Those slender hands from my dance partner were like a pair of jumper cables giving a little "God is here" boost to my stalled out soul.
Now, don't get me wrong - it's not like I was unhappy with my life just before this whispered moment of divine shock therapy. Quite the contrary. My movie just got accepted into an international festival. My brother finally came home from Iraq with all of his fingers & toes and in his right mind. Business is picking up. My writing is accelerating. It's nearly summer.
My life is filled with joy.
No, the spark between myself and my dancefloor companion was literally just a way for the Divine to speak to me directly and say "all of that energy that your gathering through your good mood is supposed to go right here - in the space between."
And that is what has had my mind and soul trembling with excitement ever since.
"the space between".
In those old movies from the '30's, where the mad scientist is about to resurrect the monster, you always see the two round electrodes, full of energetic potential - but it's when they're brought together, that the lightning arcs and brings life to the monster.
Space.
The distance between two things is where creation happens.
I'm a filmmaker.
People like me are all supposed to know about Sergei Eisenstein: an early Russian film scholar who is the father of modern day editing & film montage. In one of his more famous experiments, Eisenstein filmed a shot of a renowned actor looking down, then cut it next to a shot of a baby, then a shot of the actor looking down again, then a shot of a plate of food, then a shot of the actor again, then, finally, a shot of a dead animal. When he showed this little film, people heaped tremendous praise on the actor - "he's so amazing! With just the slightest look, he can convey love for a child, hunger for a meal, or even disgust over a corpse!"
Of course, it was all the exact same shot of the actor's face in all three instances, and Eisenstein's specific direction to the actor was to be expressionless.
In each case, by placing these two separate images next to each other, a brand new, THIRD thing was created.
The space gave birth to a feeling.
Which is why Leon Tolstoy said that the first thing you, as an artist, must master before anything else if you intend to write the great novel (or, for that matter, poem or speech or screenplay), before theme or plot or character, is transitions.
It's why the editor Walter Murch always takes a still image from every shot of the movie he's cutting, and lines them all up on a wall in the order he receives them, regardless of story order - by laying unrelated images next to each other, he finds inspiration to cut in ways he would never have seen otherwise.
It's why any musician worth his or her salt will tell you that the action happens in the space between the beats.
Space.
Scientists say that, what we thought was just trillions upon trillions of square light years of emptiness between the stars and planets is actually filled with.... something. It doesn't reflect light or give off radiation, so it can't be detected directly. But because heavenly bodies move in a certain way as a result of gravitational forces where there aren't other heavenly bodies to exert said gravitational forces, they know that something else MUST be out there, filling the space.
There are some who interpret quantum physics theories that all solid matter is really just energy vibrating at specific contradictory frequencies that prevent, for instance, my fingertips from passing through this keyboard like a phantom, as proof that the entire universe is really just one single presence, folding into relationship with itself to create all that is.
As they say "nature abhors a vacuum". Which is why the universe is always looking to fill in the spaces with new things.
An empty canvas. A blank page.
Creation only occurs in contrast.
Now, don't get it twisted - "contrast" does not always mean "conflict", because "harmony" is about the space created between two complementary frequencies.
But space requires boundaries. We have to make room to define the space.
The fence of a playground.
The rules of a game.
Three act structure.
Iambic Pentameter.
A dancefloor.
Two pairs of lips.
I have a friend up in Santa Barbara who's, for lack of a better term, a medium. She used to have a giant open space in the wall above her living room, and she refused to decorate it or populate it with artwork or anything of that nature. She wanted to physically manifest space in her life to make room for new spiritual things to arrive, like prosperity, or new revelations.
I'm told that the term "feng shui" literally means "wind-water" and, according to Wikepedia, it's cultural shorthand for a verse in the "Book of Burial" that reads:
"The qi that rides the wind stops at the boundary of water."
Ultimately, I don't have a specific point I'm trying to make here or a big summation to wrap it all up. Not everything gets tied up with a neat bow. I'm just exploring.
But, as long time readers of my blog know - if it's important to be MORE (spiritually, transcendentally), then you've got to give it room.
"The Art of Allowing" says that, sometimes, we spend so much time praying for the things that we want, we never give the universe the time to actually deliver. It's like being in a restaurant, and constantly placing orders without letting the staff actually cook and bring your food.
I'm not entirely sure what Space really means. I'm just sure that it's presence matters.
And as for me, the space between me and her reminded me that I am a Creator, not just of words like these, or films, or pieces of art.
First and foremost, I am here to create my life.
Next time, I'll just ask her.
This is a record of such a moment in my mind. It probably won't flow. The thoughts come as they please. But, in the end, they're all connected.
So, a few weeks ago, I was at a club here in L.A., and I met someone.
She was a vision.
We didn't talk much at all.
Which is unfortunate, because, if we had, I would have asked her, "did you feel that?"
Because when I wrapped my arms around her on the dance floor, and she put her hands on my side, a spark jumped.
Not one of those static electricity "I just dragged my feet across a wool rug and shocked the shit out of my fingers on a metal doorknob" sparks.
It's one of those kind of sparks like when, back in college, I ran into an ex-girlfriend in a computer lab, and I just put my hand on her shoulder.... and every inch of skin on my body remembered an entire relationship in an instant.
Those slender hands from my dance partner were like a pair of jumper cables giving a little "God is here" boost to my stalled out soul.
Now, don't get me wrong - it's not like I was unhappy with my life just before this whispered moment of divine shock therapy. Quite the contrary. My movie just got accepted into an international festival. My brother finally came home from Iraq with all of his fingers & toes and in his right mind. Business is picking up. My writing is accelerating. It's nearly summer.
My life is filled with joy.
No, the spark between myself and my dancefloor companion was literally just a way for the Divine to speak to me directly and say "all of that energy that your gathering through your good mood is supposed to go right here - in the space between."
And that is what has had my mind and soul trembling with excitement ever since.
"the space between".
In those old movies from the '30's, where the mad scientist is about to resurrect the monster, you always see the two round electrodes, full of energetic potential - but it's when they're brought together, that the lightning arcs and brings life to the monster.
Space.
The distance between two things is where creation happens.
I'm a filmmaker.
People like me are all supposed to know about Sergei Eisenstein: an early Russian film scholar who is the father of modern day editing & film montage. In one of his more famous experiments, Eisenstein filmed a shot of a renowned actor looking down, then cut it next to a shot of a baby, then a shot of the actor looking down again, then a shot of a plate of food, then a shot of the actor again, then, finally, a shot of a dead animal. When he showed this little film, people heaped tremendous praise on the actor - "he's so amazing! With just the slightest look, he can convey love for a child, hunger for a meal, or even disgust over a corpse!"
Of course, it was all the exact same shot of the actor's face in all three instances, and Eisenstein's specific direction to the actor was to be expressionless.
In each case, by placing these two separate images next to each other, a brand new, THIRD thing was created.
The space gave birth to a feeling.
Which is why Leon Tolstoy said that the first thing you, as an artist, must master before anything else if you intend to write the great novel (or, for that matter, poem or speech or screenplay), before theme or plot or character, is transitions.
It's why the editor Walter Murch always takes a still image from every shot of the movie he's cutting, and lines them all up on a wall in the order he receives them, regardless of story order - by laying unrelated images next to each other, he finds inspiration to cut in ways he would never have seen otherwise.
It's why any musician worth his or her salt will tell you that the action happens in the space between the beats.
Space.
Scientists say that, what we thought was just trillions upon trillions of square light years of emptiness between the stars and planets is actually filled with.... something. It doesn't reflect light or give off radiation, so it can't be detected directly. But because heavenly bodies move in a certain way as a result of gravitational forces where there aren't other heavenly bodies to exert said gravitational forces, they know that something else MUST be out there, filling the space.
There are some who interpret quantum physics theories that all solid matter is really just energy vibrating at specific contradictory frequencies that prevent, for instance, my fingertips from passing through this keyboard like a phantom, as proof that the entire universe is really just one single presence, folding into relationship with itself to create all that is.
As they say "nature abhors a vacuum". Which is why the universe is always looking to fill in the spaces with new things.
An empty canvas. A blank page.
Creation only occurs in contrast.
Now, don't get it twisted - "contrast" does not always mean "conflict", because "harmony" is about the space created between two complementary frequencies.
But space requires boundaries. We have to make room to define the space.
The fence of a playground.
The rules of a game.
Three act structure.
Iambic Pentameter.
A dancefloor.
Two pairs of lips.
I have a friend up in Santa Barbara who's, for lack of a better term, a medium. She used to have a giant open space in the wall above her living room, and she refused to decorate it or populate it with artwork or anything of that nature. She wanted to physically manifest space in her life to make room for new spiritual things to arrive, like prosperity, or new revelations.
I'm told that the term "feng shui" literally means "wind-water" and, according to Wikepedia, it's cultural shorthand for a verse in the "Book of Burial" that reads:
"The qi that rides the wind stops at the boundary of water."
Ultimately, I don't have a specific point I'm trying to make here or a big summation to wrap it all up. Not everything gets tied up with a neat bow. I'm just exploring.
But, as long time readers of my blog know - if it's important to be MORE (spiritually, transcendentally), then you've got to give it room.
"The Art of Allowing" says that, sometimes, we spend so much time praying for the things that we want, we never give the universe the time to actually deliver. It's like being in a restaurant, and constantly placing orders without letting the staff actually cook and bring your food.
I'm not entirely sure what Space really means. I'm just sure that it's presence matters.
And as for me, the space between me and her reminded me that I am a Creator, not just of words like these, or films, or pieces of art.
First and foremost, I am here to create my life.
Next time, I'll just ask her.
Labels:
art,
eisenstein,
filmmaking,
love,
more,
movies,
space,
spirit,
tolstoy
February 14, 2007
Tell someone you love them today
I don't mean send an e-card or buy a box of chocolates.
I mean look someone in the eyes and actually SAY THE WORDS "I love you" to their face.
It's not necessarily about romance. It doesn't have to be a lover or a boyfriend or girlfriend. It could be your child, or good friend or a sibling or a roommate. Don't assume that because they know they don't need to hear it. They probably do know. That's not the point. This is not something you do to inform. It's something you do to declare. To state who you are. To show that I care enough about you that I will actually SAY THE WORDS.
And when you think about how much resistance you have, how uncomfortable it may make you to actually put yourself out there like that to say it, let that feeling remind you of just how important, how powerful, how meaningful it is to actually SAY THE WORDS. We resist doing it because it reveals who we are and makes us vulnerable. But, once you get around all of the armor and boundaries and protections that we put around ourselves, and stand naked (figuratively speaking) before another person, that's the only time that we realize just how truly powerful and invincible we really are.
It's a two-way gift, to both yourself and the object of your affections.
This day only comes around once a year. Take advantage of it.
SAY THE WORDS.
Happy Valentine's Day.
I mean look someone in the eyes and actually SAY THE WORDS "I love you" to their face.
It's not necessarily about romance. It doesn't have to be a lover or a boyfriend or girlfriend. It could be your child, or good friend or a sibling or a roommate. Don't assume that because they know they don't need to hear it. They probably do know. That's not the point. This is not something you do to inform. It's something you do to declare. To state who you are. To show that I care enough about you that I will actually SAY THE WORDS.
And when you think about how much resistance you have, how uncomfortable it may make you to actually put yourself out there like that to say it, let that feeling remind you of just how important, how powerful, how meaningful it is to actually SAY THE WORDS. We resist doing it because it reveals who we are and makes us vulnerable. But, once you get around all of the armor and boundaries and protections that we put around ourselves, and stand naked (figuratively speaking) before another person, that's the only time that we realize just how truly powerful and invincible we really are.
It's a two-way gift, to both yourself and the object of your affections.
This day only comes around once a year. Take advantage of it.
SAY THE WORDS.
Happy Valentine's Day.
Labels:
love
February 28, 2004
"I come from a world made of love....."
Brace yourselves. This is a long one.
I haven't bought music in a very long time.
Not that I haven't tasted new sounds in a long time. As long as I have Rhapsody and music-loving friends with CD burners, I manage to keep growing my collection.
It's just that, like so many other things in my life (books, comics, movies, etc.), my music tastes have become much more selective and specific than they were in the past. There was a time that I bought anything that made me move. Which explains such unfortunate additions to my rack as NORE's "Superthug". Of course, that was back when I was perpetually planning for some mythic house party in the ill-defined future, when having 6 different versions of Luke's "Work It Out" actually made plausible sense.
Now, I'm older and my living room entertaining has become much more, shall we say, personalized. Isaac Hayes and other 70's artists my father can't stand have slowly but surely replaced any and all club anthems and left them for, well, the club.
Interestingly enough, my mother loves Isaac Hayes. They also disagree over Muhammad Ali. Mom loves him from when he was pretty and talked trash, while Dad, missing the obvious similarities between The Greatest of All Time and his good-looking, trash-talking self, merely respects him. But I digress.
Moreover, as a writer and a resident of Los Angeles, my regular habits play a much bigger place in my musical appetites, and, unfortunately, Nelly rarely makes music I want to drive to and never makes music I want to write to.
I look for music that inspires.
Frank Sinatra for the magic of New York City.
Godsmack for the horror that hides in your bedroom closet.
New Wave Top 40 from my teenage years for unrequited love.
Roy Ayers for the agelessness of the Motherland.
The point, of course, is that I already own or can access most of these at my leisure, some from other discs and others over the web.
So the fact that I heard an album online, then felt strong enough to buy it here in the real world means a number of things to me.
The album in question is the latest from Meshell Ndegeocello, entitled "Comfort Woman".
If memory serves, comfort women were the daughters of Japan who were pressed into service as sex slaves for the army of the Rising Sun during World War II. And my sense of the album is that the title is oddly poetic and totally appropriate. It seems to both acknowledge and still revel in the shackles that love seems to place on us - our willingness to plunge into the deep end of another human soul and let it mingle with our own, sometimes even at the risk of drowning.
Because the world is hot and the water is just so very, very cool.
I'm especially fond of "Love Song #2", where she says:
So happy I'm here
Born on a black star
I've come so far
To give you love
Beautiful, beautiful love
Beyond the stars
Is where I'm from
Come with me
We can live in love
I come from a world made of love
I want to take you there
I come from a world made of love
I want to take you there
We can fly butterflies
Don't leave
Stay
Stay with me
Say you love me
Look in my eyes
I love you
I just want to love you
With beautiful, beautiful love
Which brings me to the real issue at hand, namely love.
A new friend recently told me that she didn't like Male R&B, because she thought most of it was bullshit. "Let's Get It On" she could handle, because she felt like it just cut to the chase. Anything beyond that, to her, was simply a lie that men tell to lasso ass.
Which is interesting to me on two levels. On the first level, in my opinion, most contemporary Male R&B, populated with the likes of Justin Timberlake, Genuwine, R. Kelly, and the rest of their cohorts, seem to be pretty crude and direct about their intentions ("I wanna rock your body", "You owe me", "You remind me of my jeep...I wanna ride it."). On the second level, it sounds like she's presuming that no man is ever actually sincere when he professes to love a woman.
I wouldn't go so far as to say I'm a fan of Male R&B. But, as my good buddy in Harvard Square likes to say, I am a "'sucka for love".
Maybe because I was raised by two people who can't seem to agree on music or old-school fighters or what movies to watch or how much they love church or any number of things they don't have in common, but still manage to stay silly and lovey-dovey after 43 years of marriage.
Maybe because the sight of a 70 year old widow, beaming as she walking down the aisle in a no-frills burgundy dress to marry a 70 year old widower was, without a doubt, the single most beautiful thing I have ever seen in my entire life.
Maybe because I'm an obsessive movie fan and I've internalized the Hollywood notion of the happy ending.
Whatever the reason, the fact of the matter is I believe in love. Love in all its forms.
My aunt once told me that she didn't know what unconditional love was until the day that she became a grandmother. A very good friend of mine said that he really considered the full ramifications of the idea that God loves him, no matter what he's done, and that it nearly brought him to tears.
But if we don't ever think to question the love between a parent and a child, or of a worshipper for their God, or of a patriot for his country, or among old friends, how did romance become so farfetched?
I'm sure it begins with sex. After all, our bodies are very much like a recording device. And no matter how much you love mama's home cooking, it doesn't quite leave the same mark in your memory as looking into someone else's eyes as you both share a moment of ecstasy. Even the most delicate kiss is looped on our lips and our hearts a thousand times more than any dap you receive from your boys. Someone once told me how she once got it so good that she actually shed tears of joy amidst her screams of passion. We never forget the things that make us cry.
And yet, offering our bodies is far easier than our hearts. In fact, I suspect there are many people who'd sooner have sex with someone to distract them from actually looking at who they really are (or who they THINK they really are) on the inside. As if helping someone achieve an orgasm will make them stop asking all those annoying questions about your interior life.
Romantic love is the only kind of love that operates in two dimensions.
And sometimes, even more than that, because beyond our hearts and bodies, there's also history. How many relationships have had the seeds of their destruction sown years before when a child couldn't escape the unspeakable appetites of a fiendish adult, or the rubberstamping of violence in their parents' relationships, or the hard choices forced upon them through their responsibilities to their own children, or the complication of an STD, and so on, and so on, and so on...
But does the fact that the equations are more complex mean that they're simply unsolvable? No, but they are harder, and I think many simply give up. They just ignore one variable in the equation and stick with the easy one, because it's simply not that hard to sleep with someone (or someones) you don't love.
Of course, I personally don't believe you can ever completely ignore the other half of the equation. Your body is still recording the experiences. They still have more meaning than last night's steak. Those who delude themselves into thinking it's just an endurance sport do so at their peril.
And let's be honest for a moment. For each and every person who talks about how cynical they are, about how much they don't believe love exists, and that all men are dogs, and that they don't love these hoes, and all the other crap we tell ourselves to make it OK that we aren't getting the love we really want, there was probably someone, somewhere, sometime, who made them float on air. Someone who made them want to call every single person they've ever known in their entire lives to tell them just how absolutely grand they've made them feel, body and soul. Every last one of them has had at least a taste of love. They're just mad that they were only given the sampler before they were kicked out of the restaurant.
And this applies to both men and women. Every dog was once just a precocious little boy who had his heart broken and then decided he'd have to teach every other girl a lesson for what the first one did to him. Does it excuse his behavior? Of course not.
But when the Dramatics say they want to go outside in the rain so she can't see them cry, or Teddy Pendegrass says he's been thinkin'-thinkin'-thinkin', and then started drinkin'-drinkin'-drinkin' because he missed her, or Earth Wind and Fire asked if she minded if they touched, if they kissed, if they held her tight 'til the morning light, I know for a fact that they are speaking SOMEONE'S truth, even if it's not their own.
On the other hand, I'm saddened that I have to reach back at least 15 years to find a preponderance of songs by men talking about more than just "I'm really glad I get to bone you on a regular basis." I'm sickened by all these stupid falsetto Romeos who have nothing to offer women on wax but a ride in an overpriced car, a good lay, and maybe some really nice jewelry for their troubles. And that fact forces me to at least acknowledge the reality that spawned my friend's lack of faith in love.
I miss the days when more brothers had the stones to actually love women.
At least I'd have some company. :-)
And I really miss the days when more women knew what to do with love when they actually got it.
I guess we're all out of practice. Maybe we need some lessons from the old folks. Hey, if Mom & Dad can do it for four decades, they might be on to something.
Anyway, I love this album, so here's my first truly shameless Amazon.com plug. Buy it. You won't regret it.
And, while I'm on the subject, I'd also like recommend "Salvation: Black People and Love", by bell hooks. I'm sure you can guess it's relevance to the topic of the day.
Click on this freaky green text to speak your own mind on affairs of the heart
September 27, 2002
BROWN SUGAR in Theatres October 11th
I saw a trailer for this when I saw BARBERSHOP. Now, I've been talking for years about the need for more movies about Black romance, and it looks like Rick Famuyiwa & Michael Elliot have beaten me to the punch. But it looks really good. Definitely worth checking out.
I saw a trailer for this when I saw BARBERSHOP. Now, I've been talking for years about the need for more movies about Black romance, and it looks like Rick Famuyiwa & Michael Elliot have beaten me to the punch. But it looks really good. Definitely worth checking out.
Labels:
African American,
filmmaking,
love,
movies
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